Abteilung Weddigen
Elena Amerio, M.A.
Zirkulation religiöser Kunst und Künstler der Jesuiten zwischen Italien und dem Vizekönigreich Perú (16.-17. Jahrhundert). Bernardo Bitti und seine Anhänger
Luigi Crea, M.A.
The Art of Resistance: A Research of Queer Art in the Brazilian and Peruvian Contexts from 1990 to Present
Michele D’Aurizio, M.A.
Alighiero Boetti’s tecnica povera
Dr. Lara Demori
Transnational Encounters: Diasporic Narratives across Italy and Latin America (1960s–1980s)
Anna Aline Mehlman Dumont, B.A.
Portatrici, Lavandaie, Cucitrici: Picturesque Modernism and the Image of the Italian Woman at Work
Dr. Christina Heflin
Le Radici Francesi: The Parisian Origins of Arturo Schwarz’s Surrealism in Italy
Alina Kondratiuk, Ph.D.
Mural Painting of the Church of the Savior at Berestove: Semantics. Stylistics
Lesia Kulchynska, Ph.D.
Violence of the Image
Caterina Martinelli, M.A.
The Sense of Sculpture. Practiced Sculpture in the 1970s Dematerializations Context
Ariella Minden, M.A.
In Dialogue: Medial Thinking in Bolognese Printmaking, 1500-1530
Linda Müller, M.A.
Drawn to Law: Legal Drawings in Early Modern Italy in an Age of Empire
Duccio Nobili, Ph.D.
Red in the Eyes. Artists, Mass Culture and Russian Avant-garde in Italy, 1968–1977
Oleksandra Osadcha, Ph.D.
Praktiken der Archivierung und das Medium Fotografie
Dr. Dimitri Ozerkov
Vincenzo Brenna: der reisende Architekt
Dr. Elisabetta Rattalino
Curating Bolzano Fascist Legacies: The Myth of Druso
Braden Scott, Ph.D.
Burgundy in Bethlehem: Architectural Diplomacy in Fifteenth-Century Mamluk Syria
Ianick Takaes de Oliveira, M.A.
Durissimum iudicium gentibus profert: On the Production and Circulation of Philippe Thomassin’s Last Judgment (1606)
Dr. Tobias Teutenberg
Heinrich Wölfflins "Kunstgeschichtliche Grundbegriffe" (1915)
Dr. Tobias Teutenberg
Affirmationen des Avisuellen. Die Kunstgeschichte der Blindheit im 19. und 20. Jahrhundert