Events Archive

This workshop is organized by the ProJestArt Research Group, Agents: Jesuit Procurators and Alternative Channels for Artistic Circulation in the Hispanic World (Universidad Autónoma de Madrid), in collaboration with Prof. Tristan Weddigen (Bibliotheca Hertziana-Max Planck Institute for Art History, Rome). [more]

As part of the 2024 celebrations marking the 150th anniversary of Italian emigration to Brazil, this workshop will explore the artistic and cultural ties between the two nations from the turn of the 20th century to the present. [more]

Sensorial Encounters: Haptic and Non-Visual Access in Art is an exploratory workshop that challenges the primacy of visual perception and terminology in art and art history. Inspired by the methodological insights of authors such as Georgina Kleege, Elizabeth Bearden and Amanda Cachia, among others, this workshop que stions the traditional conflation of sight with knowledge. [more]

Presentation of recent Initiatives at the Bibliotheca Hertziana and the Institut National d’Histoire de l’Art, Paris (INHA) with a Lecture of Federico Nurra, Head of the Digital Research Service at INHA. [more]

The Photographic Collection of the Bibliotheca Hertziana in Rome will host the second annual meeting of the Working group Italy of the Arbeitskreis Provenienzforschung e.V. The workshop will focus on primary sources and archival collections in post-unitarian Italy, which serve as a fundamental tool for provenance research. [more]

The aim of the workshop is to analyze how the relationship between artistic representations and new forms of entertainment contributed to the construction of Italian identities during the nation-building process. Particular emphasis will be placed on aspects related to gender, the exhibited and spectacularised body, race and colonial dynamics, as well as regionalisms and the social and class differences that entertainment has contributed to normalising and/or transgressing. [more]

The history of art and the practice of anatomy have long depended upon similar acts of comparison: identifying, visualizing and describing likenesses. This workshop investigates the role of images in developing comparative anatomy — the study of anatomy across species — in early modern Europe. [more]

As Marshall McLuhan argued in his seminal Understanding Media, the “hybridizing or compounding” of media “offers an especially favorable opportunity to notice their structural components and properties.” This workshop seeks to explore sculpture’s intermedial entanglements and asks what these may reveal about the medium of sculpture. [more]