The planengraved by Étienne Du Perac and printed by Antoine Lafréry proved more successful than its predecessor (Theti 1560) because of its almost true-to-scale representation and not least because of its aesthetically attractive presentation.
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The atmospheric drawing by the Dutch artist Jan van Stinemolen, which shows Naples from the unusual perspective of the northeast (and hence from the countryside), combines high topographical detail with suggestive effects of landscape painting. more
Alessandro Baratta's plan is characterized by its prominent title, a particularly detailed design of the individual buildings, and extensive paratexts.more
The closest approach to modern maps is the plan of the Duca di Noja, surveyed with the greatest technical effort, which completely dispenses with axonometry and any form of elevation. more