Events

From the early decades of the twentieth century, Europe – followed by North America after 1945 – became the nexus of migratory flows of artists, objects, ideas, and cultural agents, particularly from Latin America. Yet, while the presence of Latin American artists in the United Kingdom and France has been the subject of extensive and ongoing research projects, the same is not true for other European countries eschewing the powerful axis of Paris - London - New York. The 2-day workshop welcomes research contributions that decenter such canonization of the transnational to recover histories that involve other places of arrival and a new polycentric understanding. What was the impact of artists settling at the so-called margins of Europe? How did they contribute to an ongoing international dialogue crossing the European continent and a process of hybridization of local narratives? [di più]

Research Exhibition: Rework, Retouch, Care: Case Studies from the Hertziana Collection.

Research Exhibition curated by Francesca Borgo and Camilla Colzani
Long after leaving the artist’s studio, drawings continue to transform. More fragile and responsive than canvas or panel, paper not only registers the passage of time but also readily reflects shifts in ownership, taste, and interest. This exhibition presents a selection of case studies from the Hertziana collection that draws attention to the open temporality of these works. [di più]

Mettere mano. Reworking Early Modern Drawings

Gernsheim Study Days
“… con questo, che Taddeo potesse correggere e mettere mano nei disegni e cartoni di Federigo a suo piacimento …” In the Vita of Taddeo Zuccari, Giorgio Vasari describes the reworking of drawings — in contrast to that of paintings — as a common and spontaneous practice. The 2025 Gernsheim Study Days are dedicated to all aspects of reworking, retouching, and repairing early modern European drawings, engaging with both artistic and material issues. [di più]

Consuming Modernism: Erich Mendelsohn, House Beautiful, and the Museum of Modern Art

Henriette Hertz Lecture
Histories of modern architecture ignore the degree to which as a fashion it was marketed to women, often by other women. Considering the role of House Beautiful in its reception in the U.S. begins to redress interpretations that also marginalize men, such as Erich Mendelsohn, who designed commercially successful businesses frequented by women. [di più]
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