Events Archive

Ort: Villino Stroganoff, Via Gregoriana 22, RM 00187 Rome and online (Vimeo)

The Fabrication of Borders: A New History of Fashion, 1347-1947

Research Seminar
The history of fashion is often framed as a sequence of styles, each born from individual creativity. Fashion, in this view, is a product of choice and psychology—perhaps shaped by class dynamics—but ultimately driven by a will powerful enough to influence a community and, at times, expand to shape entire nations and beyond. But what if we flipped this perspective? [mehr]

An English Alabaster in Aragonese Naples

Research Seminar
In the 15th century, a monumental English alabaster altarpiece of the Passion traveled to Naples, though it was only documented 200 years later. Asking how, where, and why this artwork would have been received in Aragonese Naples, this project explores courtly collecting practices and the tactility of alabaster. [mehr]

New Fellows’ Presentation

The Bibliotheca Hertziana - Max Planck Institute for Art History comprises two departments and two research groups with a great variety of methodological, historical, and geographical perspectives and themes, ranging from “Cities and Spaces in Premodernity” to “Art of the Modern Age in a Global Context”, and from “Visualizing Science in Media Revolutions” to “Decay, Loss, and Conservation in Art History”. The Institute hosts fellows from diverse regions and backgrounds both at a pre-doc and a post-doc level. [mehr]

Cult/Space/Presence of Images. A Workshop on the Art and Cultural Historical Impulses of Hans Belting

Conference
The aim of this workshop, a sequel to the one held last year in Brno, is to further illuminate and classify the contribution of Hans Belting (1935–2023) to art history, visual and cultural studies and to reflect on its significance. [mehr]

New Fellows’ Presentation

Workshop
The Bibliotheca Hertziana - Max Planck Institute for Art History comprises two departments and two research groups with a great variety of methodological, historical, and geographical perspectives and themes, ranging from “Cities and Spaces in the Middle Ages” to “Art of the Modern Age in a Global Context”, and from “Visualising Science in Media Revolution” to “Decay, Loss, and Conservation in Art History”. The Institute hosts fellows from diverse regions and backgrounds both at a pre-doc and a post-doc level. [mehr]

Now we have seen. Women and Art in the Seventies in Italy

Workshop
A thematic and methodological comparison between the participants and with the public preparatory to the publication of the homonymous collective volume, scheduled for spring 2024, dedicated to the relationship between art and feminism in 1970s Italy. [mehr]

Imperial Games: Visuality, Tactility and Synaesthesia

Research Seminar
This research seminar examines the role of boardgames, toys and optical devices in the construction of an imperial subjectivity in the nineteenth century. [mehr]

Colour matters: New approaches to chromatic materiality: the ERC project CHROMOTOPE (2019-2024)

Research Seminar
The ERC project CHROMOTOPE focuses on the changes that took place in attitudes to colour in the second half of the 19th century, particularly in Victorian England, then in the vanguard of the industrial revolution. [mehr]

Gernsheim Study Days: Accident or Strategy. The Collecting of Drawings in 16th and 17th Century Italy

With the overriding question of whether collectors purchased strategically or amassed drawings by accident, the Gernsheim Study Days at the Bibliotheca Hertziana in May 2023 will examine the full breadth of this early moment in the history of collecting works on paper. [mehr]

'Taio dorado': On Wood and Gold in Fifteenth-Century Venice

Research Seminar
In the Hebrew bible, carved wooden form and hammered gold surface are the very stuff of skillful fabrication; wood overlaid with pure gold honoured the Holy of Holies and Solomonic rule. Thinking wood and gold together, this exploratory paper will address the many kinds of work – religious, political, economic and aesthetic – that this apparently pragmatic pairing was put to use in Quattrocento Venice, a republic in which sites, things and institutions proliferated as ‘golden’. [mehr]

From the Epic Poem to the Postcolonial History of Art, Fragments of a Reflection

Research Seminar
Starting from the film Notes for an African Orestes (1970) by Pier Paolo Pasolini, Elvan Zabunyan proposes a reflection in the form of a comparative analysis between the epic poem, colonial history, and postcolonial emancipation in the arts, traveling between the African continent, the Caribbean region and Europe. [mehr]

Immortal Egypt. The Afterlife of Egypt in Early Modern Visual Arts

Conference
These study days will question the complex interaction between continuity, discontinuity, survival and rebirth by employing the epistemological tools of art history, visual anthropology and the history of ideas in order to reflect on the heritage, as well as on the creative processes that have ensured the posterity of a strange, complex, changing, close and distant Antiquity. [mehr]

Aktivierung. Strategien der Inszenierung mobiler Kunstwerke in der hispanischen Welt der Frühen Neuzeit

Tagung
Mit der temporären Aktivierung von Kunstwerken in der hispanischen Welt widmet sich die Tagung einem Phänomen, das bis in unsere Gegenwart hinein eine zentrale Rolle für die Vermittlung von Glaubenswahrheiten und die Manifestation politischer Macht spielt. [mehr]

Connected Constellations. Networks of Artistic and Political Solidarity with Chile

Workshop
In light of recent studies on artistic and political solidarity movements, this workshop proposes to connect a series of practices that emerged in the Euro-American context during the 1970s and 1980s. The starting point for this reflection is situated in Chile during the period of Augusto Pinochet's civic-military dictatorship (1973-1990) and takes into consideration its historical, political and cultural precedents. [mehr]

Nunc est caro Christi. Images, Inscriptions, and the Making of the Eucharist

Research Seminar
Three pieces produced in Germany in the early 13th century for the Abbey of St. Trudpert present a very rich set of images and inscriptions that reveal a singular vision of the sacrament of the Eucharist, and an original approach to sacramental theology in general. [mehr]
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