Forschungsinteressen
- Italian art, illustration, and photography between nineteenth and twentieth centuries
- Colonial and fascist cultural heritage in Italy
- Postcolonial and decolonial theories
- Exhibition history
- Cultural heritage after natural disasters
Publikationen (Auswahl)
- Arte e colonialismo in Italia. Oggetti, immagini, migrazioni (1882–1906), Venedig 2021 (Collana del Kunsthistorisches Institut in Florenz).
- “Art contemporain et préservation critique des monuments du fascisme en Italie. Un 'iconoclash' à Bolzano”, in Le fascisme italien au prisme des arts contemporains. Réinterprétations, remontages, déconstructions, hg. v. Laura Iamurri, Luca Acquarelli u. Francesco Zucconi, Rennes 2021.
- “La Sapienza, il Fascismo, una mostra. Snodi critici nella ricezione dell’arte del Ventennio negli anni Ottanta”, Studi di Memofonte, XXIV (2020), S. 208–244.
- “Staging Colonialism in the ‘other’ Italy. Art and Ethnography at Palermo’s National Exhibition (1891/92)”, Mitteilungen des Kunsthistorischen Institutes in Florenz, LIX, 1 (2017), Visualizing Otherness in Modern Italy (XIX-XX Century), S. 87–108.
- “Syncronies of violence. Italian Colonialism and Marinetti’s Depiction of Africa in Mafarka le Futuriste”, in Vision in motion. Streams of Sensation and Configurations of Time, hg. v. Michael F. Zimmermann, Berlin 2016, S. 165–182.
Vita
Carmen Belmonte is Assistant Professor of Contemporary Art History at Roma Tre University. She coordinates the research unit Decolonizing Italian Visual and Material Culture within the project SPAZIDENTITÀ. Spazialità materiale e immateriale della costruzione nazionale italiana dalla Repubblica Cisalpina alla fine del Fascismo, co-funded by the École Française de Rome (2022–2026).
Her research focuses on the visual
culture and legacy of Italian colonialism and fascism, as well as on
cultural heritage in contemporary Italy.
She studied at the
University of Calabria (B.A. 2004, M.A. 2007) and at the University of
Pisa ("Diploma di Specializzazione" in Art History, 2011). At the LARTTE
LAB of the Scuola Normale Superiore, Pisa she was a research fellow
within the project Osservatorio delle politiche per il patrimonio culturale
(2009–2011). During her PhD in Art History (University of Udine, 2017)
she was a member of the Swiss Doctoral Program in Civiltà Italiana at
the University of Lugano (2013–2016) and a visiting scholar at the
European University Institute, Fiesole (2015–2016).
She was awarded
postdoctoral fellowships from the Bibliotheca Hertziana –
Max-Planck-Institut für Kunstgeschichte (2017–2018), the American
Academy in Rome (2018–2019), the Kunsthistorisches Institut in Florenz –
Max-Planck-Institut (2019–2021), and the Italian Academy for Advanced
Studies in America at the Columbia University, New York (2020).
In
2019 she organized the conference "A Difficult Heritage: The Afterlife of Fascist-Era Architecture, Monuments, and Works of Art in Italy"
(11–12 March 2019, Bibliotheca Hertziana, American Academy in Rome) and
is currently editing a multi-authored volume on the same topic.